Enthymeme - Definition and Examples

In rhetoric, an enthymeme is an informally stated syllogism with an implied premise. Adjective: enthymemic or enthymematic.  Also known as a rhetorical syllogism. Enthymemes are  not merely truncated syllogisms, says Stephen R. Yarbrough. Rhetorical enthymemes reach probable, not necessary conclusions—and they are probable, not necessary, simply because they cannot be governed by the relation of implication, as are all  syllogisms (Inventive Intercourse, 2006). In the Rhetoric, Aristotle observes that enthymemes are the substance of rhetorical persuasion, though he fails to offer a clear definition of the enthymeme. Etymology From the Greek enthymema, piece of reasoning Examples and Observations With a name like Smuckers, it has to be good.   (slogan of Smuckers jams, jellies, and preserves)[M]y parents decide to buy my brothers guns. These are not real guns. They shoot BBs, copper pellets my brothers say will kill birds. Because I am a girl, I do not get a gun.(Alice Walker, Beauty: When the Other Dancer Is the Self. In Search of Our Mothers Gardens. Harcourt Brace, 1983)If you have been healed or saved or blessed through TBN and have not contributed . . . you are robbing God and will lose your reward in heaven.   (Paul Crouch, co-founder of the Trinity Broadcasting Network, quoted by William Lobdell, The Week, Aug. 10, 2007)One of the Soviet Georgias senior citizens thought Dannon was an excellent yogurt. She ought to know. Shes been eating yogurt for 137 years.   (1970s television advertisement for Dannon Yogurt)If its Bordens, its got to be good.   (advertising slogan)Want him to be more of a man? Try being more of a woman!   (advertising slogan for Coty perfum e) An Abbreviated Syllogism In modern times, the enthymeme has come to be regarded as an abbreviated syllogism--that is, an argumentative statement that contains a conclusion and one of the premises, the other premise being implied. A statement like this would be regarded as an enthymeme: He must be a socialist because he favors a graduated income-tax. Here the conclusion (He is a socialist) has been deduced from an expressed premise (He favors a graduated income-tax) and an implied premise (either [a] Anyone who favors a graduated income-tax is a socialist or [b] A socialist is anyone who favors a graduated income-tax).  (Edward P.J. Corbett and Robert J. Connors, Classical Rhetoric for the Modern Student, 4th ed. Oxford University Press, 1999) The Persuasive Power of the Enthymeme Aristotle appreciated the persuasive power of enthymeme because he was well aware that when it comes to everyday speaking and writing, an argument doesn’t have to be watertight to be taken seriously. In his treatise On Rhetoric, he offered three important tips to would-be persuaders. What your audience thinks of you really matters--if they don’t trust you, you’re toast [ethos]. What you say, or write, has to make people feel something [pathos]. And your argument must be put together with a particular audience in mind because an argument aimed at every target inevitably misses all of them.The  guess what’s in my head  component of enthymeme makes listening to a speech fun for an audience. And by inviting them to supply the missing piece of an argument, enthymeme fosters a bond of intimacy between speaker--or writer--and audience. An audience that is actively involved in the creation of a shared message--especially one that reflects their beliefs and pre judices--is much more likely to feel the rightness of what is being argued than one that isn’t.br/>For Aristotle, enthymeme was the flesh and blood of proof. Little wonder professional persuaders of all flavors just can’t get enough of them.  (Martin Shovel, Enthymeme, or Are You Thinking What Im Thinking? The Guardian [UK], April 9, 2015) Antonys Enthymeme in Julius Caesar In that form of enthymeme in which one of the premises is omitted, there is a strong tendency to accept the conclusion without scrutinizing the missing premise on which the argument rests. For example, the plebians, swayed by Antony speaking of Caesar, readily take for granted the conclusion he desires: Plebian: Markd ye his words? He would not take the crown. Therefore tis certain he was not ambitious.[William Shakespeare, Julius Caesar III.ii] They do not question the implicit major premise, A man who refuses a crown is not ambitious. They regard the conclusion as certain.  (Sister Miriam Joseph, Shakespeares Use of the Arts of Language, 1947. Reprinted by Paul Dry Books, 2005) President Bushs Enthymeme In an enthymeme, the speaker builds an argument with one element removed, leading listeners to fill in the missing piece. On May 1, speaking from the deck of the USS Abraham Lincoln, President Bush said, The battle of Iraq is one victory in a war on terror that began on September the 11th, 2001, and still goes on. . . . With those attacks, the terrorists and their supporters declared war on the United States. And war is what they got. This is classic enthymematic argumentation: We were attacked on Sept. 11, so we went to war against Iraq. The missing piece of the argument--Saddam was involved in 9/11--didnt have to be said aloud for those listening to assimilate its message.  (Paul Waldman, Washington Post, September, 2003) The Daisy Commercial In 1964, politics flip-flopped, and the choice became Vote Democratic or Die. One of the most controversial commercials ever made showed a pretty little girl, all innocence, picking petals off a daisy in a field. In a small, sweet voice, she counts the petals as she pulls them off, One, two, three... When she gets to ten, the picture is frozen, and a mans grim voice begins to count back down from ten (as in a nuclear blast countdown). At zero, the scene dissolves into a nuclear holocaust. Over the mushrooming cloud President, Lyndon Johnsons voice is heard: These are the stakes--to make a world in which all Gods children can live or go into the dark. We must either love each other or we must die. Voters got the message: A vote for Johnsons opponent Goldwater is a vote for dead little girls. At last count, partisans of dead little girlhood did not constitute a large percentage of the electorate.  (Donna Woolfolk Cross, Mediaspeak: How Television Makes Up Your Mind. Coward-McCann, 19 83) Pronunciation: EN-tha-meem

My First Thought Became A Drama / Theatre Arts Teacher For...

Throughout my entire life I have always enjoyed helping others. Whether it is deciphering one of the many themes within one of Shakespeare’s works for a school project or giving my personal opinion on situations that my friends may need help in. Knowing that I could do something to better a situation makes me feel like I’m needed. As I grew older, I was taught that I could help people for a living through various careers. My first thought was to become a Drama/Theatre Arts teacher for a high school. However, I did research and although I know I wouldn’t mind teaching children for a living, I wouldn’t be making nearly enough money as I would like to. So, I reconsidered. Through many ideas and thoughts, I found myself becoming very interested in the many different forms of psychology. At first I had just wanted to go into child psychology then I decided it would be best to be open to practice anything and not limit any job opportunities I may receive. I find it fascinating that someone could tell how someone is feeling or could simply talk to a person and understand what that person needs to do to cure their depression or to help with anxiety or anything of that nature. My freshman year I absolutely fell in love with theatre. Working in the entertainment industry or on Broadway living in a small apartment located in New York City with a cat was my life goal. I was set on doing that for about 2 years. When I finally sat down and looked at everything realistically, my dream was,Show MoreRelatedGraduation Speech : My School1278 Words   |  6 PagesWhen I was in sixth grade, my school had no sports, clubs, or electives. All we did was go to class, go to lunch, and go home. This routine was boring to many of the middle schoolers who were looking for ways to exert their energy. Eventually no one was looking forward to school and we all just wanted to go home, creating a lack of focus in class that affected all of our grades. 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Succubus Dreams CHAPTER 24 Free Essays

I knew I was going to live forever, but sometimes I had a hard time really understanding how long forever was. During that ride to the airport, however, I got a taste of what eternity might feel like. Maddie spent almost the entire time talking about Seth. We will write a custom essay sample on Succubus Dreams CHAPTER 24 or any similar topic only for you Order Now In fact, I’m pretty sure the only time she didn’t was when she stopped to check her watch and ponder whether we would make it on time. I knew we would make it on time because I would stop the car and carry her on my back before I’d risk her missing her flight and needing to ride back with me to the city. Once she’d decided we were still okay with time, it was back to Seth. Seth, Seth, Seth. I’m pretty sure there were only about three people in the world I wouldn’t have suspected of fucking with me if they’d come telling a story like this. Unfortunately, Maddie was one of them. She was telling the truth. It was written all over her, and something in me – maybe the part that really understood how serious the fight between Seth and me had been – could feel it. After a while, my mind sort of went numb, and I stopped thinking about it all. I finally dropped her off at the airport and went home, barely aware of the traffic I once again had to fight my way through. When I got back to my apartment, I ate dinner and watched A Christmas Carol. A long, hot bath followed, and five shots of vodka finally put me down for the night. I slept on the couch because I couldn’t bear to go in the room where an angel had fallen. Some Christmas Eve. Seth came over the next morning to take me to dinner at Terry and Andrea’s. Uneasiness radiated around him, but he still smiled when he saw me. â€Å"You look great.† â€Å"Thanks.† I knew I did. I’d spent two hours getting ready, the last thirty minutes of which had been me simply standing in front of the mirror. I’d stood there, taking in every detail of my appearance. The clinging red dress. The curve of my neck under the glittering black choker. The way my golden-brown hair, worn sleek and smooth today, hung down my back. Gold eye shadow and black liner framed my eyes. My lips glowed under pale peach lip gloss. Even at five-four, my legs looked long and supple. My face, carved with high cheekbones and flawless skin, was beautiful. I was beautiful. Call it vanity or egotism, but it was true. I was so, so beautiful. More beautiful than Maddie. More beautiful than any mortal woman. Staring at that gorgeous reflection, I begged it to tell me that Seth would want me. He had to want me. How could he not? But I knew all the beauty in the world couldn’t mask the pain in me. And after a couple more moments, Seth noticed too. His smile vanished. â€Å"How did you find out?† he asked. I dropped the coat I’d been holding. â€Å"How do you think? She told me. She couldn’t wait to tell me.† He sighed and sat on the arm of my couch and stared into space. â€Å"That’s it? You have nothing else to say?† I asked. â€Å"I’m sorry. God, I’m really sorry. I didn’t mean for you to find out like this.† â€Å"Were you ever going to tell me?† â€Å"Yeah†¦of course.† His voice was so sweet and so gentle that it momentarily defused the anger that wanted to explode out of me. I stared at him, looking hard into those amber brown eyes. â€Å"She said†¦she said you didn’t drink, but you did, right? That’s what happened?† I sounded like I was Kendall’s age and suspected I wore the pleading expression Yasmine had given Jerome. Seth’s face stayed expressionless. â€Å"No, Thetis. I wasn’t drunk. I didn’t drink at all.† I sank down into the armchair opposite him. â€Å"Then†¦then†¦what happened?† It took a while for him to get the story out. I could see the two warring halves within him: the one that wanted to be open and the one that hated to tell me things I wouldn’t like. â€Å"I was so upset after what happened with us. I was actually on the verge of calling that guy†¦what’s his name? Niphon. I couldn’t stand it – I wanted to fix things between us. But just before I did, I ran into Maddie. I was so†¦I don’t know. Just confused. Distraught. She asked me to get food, and before I knew it, I’d accepted.† He raked a hand through his hair, neutral expression turning confused and frustrated. â€Å"And being with her†¦she was just so nice. Sweet. Easy to talk to. And after leaving things off physically with you, I’d been kind of†¦um†¦Ã¢â‚¬  â€Å"Aroused? Horny? Lust-filled?† He grimaced. â€Å"Something like that. But, I don’t know. There was more to it than just that.† The tape in my mind rewound. â€Å"Did you say you were going to call Niphon?† â€Å"Yeah. We’d talked at poker†¦and then he called me once. Said if I ever wanted†¦he could make me a deal. I thought it was crazy at the time, but after I left you that night†¦I don’t know. It just made me wonder if maybe it was worth it to live the life I wanted and make it so you wouldn’t have to worry so much.† â€Å"Maddie coming along was a blessing then,† I muttered. Christ. Seth had seriously considered selling his soul. I really needed to deal with Niphon. He hadn’t listened to me when I’d told him to leave Seth alone. I wanted to rip the imp’s throat out, but my revenge would have to wait. I took a deep breath. â€Å"Well,† I told Seth. â€Å"That’s that. I can’t say I like it†¦but, well†¦it’s over.† He tilted his head curiously. â€Å"What do you mean?† â€Å"This. This Maddie thing. You finally had a fling. We’ve always agreed you could, right? I mean, it’s not fair for me to be the only one who gets some. Now we can move on.† A long silence fell. Aubrey jumped up beside me and rubbed her head against my arm. I ran a hand over her soft fur while I waited for Seth’s response. â€Å"Georgina,† he said at last. â€Å"You know†¦I’ve told you†¦well. I don’t really have flings.† My hand froze on Aubrey’s back. â€Å"What are you saying?† â€Å"I†¦don’t have flings.† â€Å"Are you saying you want to start something with her?† He looked miserable. â€Å"I don’t know.† No. This wasn’t happening. â€Å"What’s this mean for us?† I asked. â€Å"I don’t know.† The anger returned, and I leapt up, much to Aubrey’s annoyance. â€Å"What do you know?† I demanded. â€Å"Do you even know why you did this?† â€Å"There were a lot of things going on†¦Ã¢â‚¬  he said. â€Å"A lot of factors. It just happened†¦Ã¢â‚¬  I put my hands on my hips and stalked toward him. â€Å"Did it? Did it really? Because I’m not so sure.† His distraught expression turned wary. â€Å"What’s that mean?† â€Å"I think you were getting back at me for not giving in that night. I made you mad. I hurt you. So, you’re trying to hurt me. Teach me a lesson.† â€Å"I – what? Are you insane? You think I’d do something like this to teach you a lesson? You think I would want to hurt you? Just because you refused sex?† â€Å"Why not?† I asked. â€Å"Guys always want sex from me. Why are you any different?† â€Å"Georgina,† he said incredulously. â€Å"You can’t believe that. It’s always been about more than sex. You have to know that. I’ve told you that over and over. I would never purposely hurt you. And yet†¦Ã¢â‚¬  â€Å"And yet what?† He looked away from me and focused on the carpet. â€Å"I don’t know that we can keep going on without me hurting you.† â€Å"Well, if you don’t sleep with my friends – â€Å" â€Å"It doesn’t even have to be that. There are so many things it could be. I could get hit by a car tomorrow or catch some disease. If you ever do crack some day and sleep with me, you’ll hate yourself forever. And if I crack and sell my soul, that’s going to upset you too. One way or another, you will get hurt. It’s just a matter of when. I saw it that night in the kitchen – I saw your face when you were yelling at me. That’s when I knew it was all true.† â€Å"I†¦I was upset,† I told him. â€Å"And, I mean†¦we knew this relationship wouldn’t be easy. You were okay with all this in the beginning†¦the sex and everything else†¦.† â€Å"Things change,† he said bluntly. He met my eyes, and I again saw warring sides within him. â€Å"And back then, I thought I was the one who would get hurt, not you. I can handle it.† â€Å"Are you saying I can’t?† â€Å"I’m saying I don’t want to find out. And honestly, it’s not even about sex either. We’ve got communication problems, time problems†¦I don’t know. Hell, we have death problems. I don’t really know if we should keep doing this.† It felt like Joel’s death again, like all the energy was being sucked away from me. â€Å"How,† I demanded, â€Å"can you always lecture me about open communication and then dump this on me now? If you were feeling all this†¦you should have brought it up beforehand, not in some bluff break-up at the zero hour.† â€Å"I’m not entirely sure what that last part meant, but I’m not bluffing. And I’ve tried to talk to you about this. I tried the night you massaged me – you didn’t want to hear it.† Seth took a deep breath. â€Å"Georgina†¦I really mean it. I don’t think we should be together anymore.† I gaped. No, this wasn’t right. This wasn’t right at all. I’d expected a big fight, one we’d eventually get over, like always. I’d expected him to ask for forgiveness. I’d expected to set new boundaries in the relationship. I’d expected me to be the one to have the high ground and decide if we were going to continue this. I hadn’t expected to be pleading. â€Å"No. No. Seth†¦we’ve just got to make it work. Look, I’ll get over Maddie, okay? And if you want to sleep with other women†¦I mean, it is okay. I always said you could. It’s just this first time†¦well, it’s a shock, that’s all.† He just continued to watch me quietly, and I found myself babbling on more and more. â€Å"But we can make it work. We always do. We’ll find a way. You can’t just go ahead and decide something like this on your own. There are two of us in this, you know.† â€Å"Yeah,† he said. â€Å"I do know. And I’m one of the two. And I want to split up.† â€Å"No,† I said frantically. â€Å"You don’t want to. This is just some weird†¦I don’t know. You don’t mean it.† Seth’s silence was more infuriating than if he’d shouted back at me. He just kept watching me, letting me talk. His expression had so much regret – but so much determination too. â€Å"You were the one who told me we could overcome anything,† I cried. â€Å"Why not this?† â€Å"Because it’s too late.† â€Å"It can’t be. If you do this†¦it’s all for nothing†¦you’ll have ended up hurting me. Me and Maddie both.† â€Å"It’s a small hurt compared to what could really happen,† he said. â€Å"And as for Maddie†¦I don’t plan on hurting her. I†¦I like her.† â€Å"But you love me.† â€Å"Yeah, I do. I probably always will. But maybe that’s not enough. I have to move on. We can’t do this. I think maybe†¦I don’t know. I think something good could happen with me and Maddie. In some ways, she’s like you, only – â€Å" Seth had started to slip into the rambling he sometimes did when nervous enough. He bit his lip now, as though he might summon the words back, and looked away. â€Å"Only what?† I asked. I could barely hear my own voice. He turned his gaze back to me, firm and unflinching. â€Å"Only†¦more human.† And that was it. All the anger and sorrow vanished. There was nothing in me. Nothing at all. I was empty. â€Å"Get out,† I said. He paled. Something in my voice and expression must have been truly terrifying. Tentatively, he extended a hand. â€Å"I never meant to hurt you. Thetis, I’m sorr – â€Å" â€Å"Don’t ever call me that again,† I told him, stepping away. I didn’t know how any of these words were coming out of my mouth. It was like someone else was controlling me. â€Å"Leave. Now.† He opened his mouth, and I thought all that resolve he’d just shown might crumble. In the end, it didn’t. He left. How to cite Succubus Dreams CHAPTER 24, Essay examples

Nothings Changed, by Tatamkhulu Afrika, and Island Man, by Grace Nichols Essay Example For Students

Nothings Changed, by Tatamkhulu Afrika, and Island Man, by Grace Nichols Essay For this essay, I will be looking at the poem Nothings Changed, by Tatamkhulu Afrika, and the poem Island Man, by Grace Nichols. Each poem, instead of directly linking with the chosen title, deals with the connection of people to places where they used to live. For example Island Man shows the deep connection between this man and the island where he was born. And also in Nothings Changed it tells us of the poet returning to District Six, in South Africa, and his feelings towards the area. To begin with, Island Man is about an unnamed man (even though I have found out that it was written for her husband- John Agard), who has travelled to London for work, but still yearns for the Caribbean. It seems that he has been dreaming of his island and for a few minutes on waking it is if he his back there. From the start of this poem, you can see that he still has a strong connection with his original home and culture from the title Island Man- at least in his dreams anyway. The actually start of the poem begins with the word Morning. It is a simple statement but by placing it on its own it draws attention to itself. The shortness of the first could also suggest that hes jolted awake. We will write a custom essay on Nothings Changed, by Tatamkhulu Afrika, and Island Man, by Grace Nichols specifically for you for only $16.38 $13.9/page Order now In line 5 it says the steady breaking and wombing. One technique the poet employs to suggest that the Caribbean lives in him is to use words that blend with another. An example is when the poet refers to the waves. She makes up the word wombing (line 5) where we might expect her to use booming, which suggests that their rhythm and sound is like heartbeat a child hears in the womb. Perhaps the poet is using the word wombing to suggest the comfort and security that this man gets from his place of birth. Another way which the poet shows the connection between the person and place is by description. Grace Nichols describes this mans home as an emerald island. She presents it as idyllic- almost like a picture. For example, the sun rising on a scene of blue surf, rhythmic booming of waves etc. In contrast, London is presented as dull and full of the noise of traffic. By creating such a contrast the reader can sympathize with the person and be able to understand his connection to his island- he has given up a paradise for the monotonous and dreary life that comes with London. However, unlike in Nothings Changed where the poet only shows his resentment to the area, Island Man uses transferred epithet e.g. surfacing defiantly. This is an English idiom which shows that he is very much part of the English culture even if he doesnt believe he is. Finally, Grace Nichols uses presentational techniques in her poem to further emphasise this mans connection to his island. The use of no punctuation, apart from capital letters, firstly suggests enjambment and could suggest that this is not a one off event. This dream may have been going on for many years. The poet shows that this man has a large connection with his place of birth but no real connection to where he lives. London is presented as a place that he is in, whilst the Caribbean is seen as his home- how could London ever compete with that. The second poem that I will be exploring is Nothings Changed. In this poem, the poet examines the effect of the new multi racial government in an area of South Africa, known as District Six. Unlike, in Island Man the poet of this poem has no fondness of this area where he grew up; his connection to this area was because of the apartheid. .ua29f4f3261785ba40299eef9b80a44d3 , .ua29f4f3261785ba40299eef9b80a44d3 .postImageUrl , .ua29f4f3261785ba40299eef9b80a44d3 .centered-text-area { min-height: 80px; position: relative; } .ua29f4f3261785ba40299eef9b80a44d3 , .ua29f4f3261785ba40299eef9b80a44d3:hover , .ua29f4f3261785ba40299eef9b80a44d3:visited , .ua29f4f3261785ba40299eef9b80a44d3:active { border:0!important; } .ua29f4f3261785ba40299eef9b80a44d3 .clearfix:after { content: ""; display: table; clear: both; } .ua29f4f3261785ba40299eef9b80a44d3 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .ua29f4f3261785ba40299eef9b80a44d3:active , .ua29f4f3261785ba40299eef9b80a44d3:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .ua29f4f3261785ba40299eef9b80a44d3 .centered-text-area { width: 100%; position: relative ; } .ua29f4f3261785ba40299eef9b80a44d3 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .ua29f4f3261785ba40299eef9b80a44d3 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .ua29f4f3261785ba40299eef9b80a44d3 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .ua29f4f3261785ba40299eef9b80a44d3:hover .ctaButton { background-color: #34495E!important; } .ua29f4f3261785ba40299eef9b80a44d3 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .ua29f4f3261785ba40299eef9b80a44d3 .ua29f4f3261785ba40299eef9b80a44d3-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .ua29f4f3261785ba40299eef9b80a44d3:after { content: ""; display: block; clear: both; } READ: Elizabeth and the Woodvilles EssayFrom the beginning, the poet uses the technique of onomatopoeia for words like click and crunch to create a harsh, bitter mood. Afrika also use alliteration e.g. cuffs, cans that are one syllable words which make the tone snappy and hard- hitting. Therefore, the reader can tell already that his feelings to the area are poor. Much of the poets past lives here. He doesnt need a sign or visual clue; he knows it is District Six. The repeated use of the word and has the cumulative effect of his growing anger. Unlike, Island Man I am able to see that as you go through the poem his attitude towards the place where he grew up gets progressively worse. Island Man uses calmer, more peaceful language in comparison to Nothings Changed. The main section of the poem is about the new restaurant which is completely out of place; it is Brash and it squats. As I mentioned before his connection with this place was because he lived there and he was against the apartheid. The whites only inn has brought about a non official segregation through money. As Afrika fought so hard to end the apartheid, it seems that the title is correct because nothing has changed. He was connected to this area because of the apartheid but now, this type of segregation, he is unable to fight against. Throughout this poem the type of language used like small, mean makes the man feel rejected from the area. Similarly, with the comparisons of the inn and working man cafà ¯Ã‚ ¿Ã‚ ½, it makes the man feel rejected because of the segregation. In Island Man the language, when describing the island is inviting and pleasing. As the reader can see his connection to this place is not because he likes it; he is connected by the inequality and the hatred of what people have done to the area. In conclusion, both poets have different techniques to express peoples connections to places, depending on how they feel towards an area- whether it is hatred or just missing it. Both of the poems I looked at were different in how the poet was connected to a place but used some techniques to express either longing or hatred.